Publications issued this year from our Death Blues project received several “Best of 2014” accolades this year which I am very grateful for.
• Top 20 Avant Albums of 2014 (Non-fiction) – Rolling Stone
• Viking’s Choice 2014 (Ensemble) – NPR
• Contributors’ Top Ten (Ensemble) – Pitchfork
• Top 20 Albums of the Year (Ensemble) – A Closer Listen
• The Year’s Best Packaging (Ensemble) – A Closer Listen
• Top 10 Modern Composition Records (Ensemble) – A Closer Listen
• The 10 Best Albums of 2014 (Ensemble) – Wax Times
• Best Local Albums of 2014 (Ensemble) – Milwaukee Magazine
• The 25 Best Milwaukee Albums of 2014 (Ensemble) – Milwaukee Record
• 10 Best Milwaukee Albums of 2014 (Ensemble) – Milwaukee JournalSentinel
• Favorite Albums of 2014 (Ensemble) – Textura
• Top 50 of 2014 (Ensemble) – Norman Records
And here is an overview of reviews that this work received throughout the year:
Non-Fiction LP
“suites that stretch (Mueller’s) rhythmic mantras to new lengths of brain-drilling recursion.“ – Tiny Mix Tapes
“an ear-battering slice of near-psychedelic sound – rhythmic and unexpected – and pulls influence from a world of bizarre, back-room private press records and dusty occidental tapes.” – FACT
“one hell of a listen and for sure makes you crave for more enthralling in your finite existence, more sonic re-definitions of your reality and unreality.” – Cvlt Nation
“the record’s overall heaviness still allows room for bursts of light as well as deep shadows.” – AVClub
“if you look deep enough it just might change how you view experimental music, or even life afterwards.” – The Sleeping Shaman
“The effect is simultaneously vertiginous and bludgeoning—a lot like what you’d expect to hear if Rhys Chatham took over the current incarnation of Swans.” – Chicago Reader
“determined enough to march you to the edge and wild-spirited enough to knock you right over. It banishes past and future, commanding you to live, right now.” – Dusted Magazine
Ensemble LP/Book
“In a time where album artwork is reduced to a thumbnail and liner notes to a pdf file no one reads, Death Blues’ Ensemble feels vital as a complex experience you touch, live in, and meditate on.” – NPR
“Ensemble is a bit shocking: As though performed by a chamber ensemble with time-shares in heaven and hell, these nine tracks move with an ecstatic and creeping unease.” – Pitchfork
“a hulking, high-drama sound.” – SPIN
“(Fritch’s) Cello figures ascend like an anti-hero slogging up a holy mountain, and splashes of tonal color spin off the platter like red paint, which flies across the room and transforms a blank wall into the canvas for an action painting of a sunset. Choral vocals and bluesy slide licks simultaneously amplify and belie the loneliness of Mueller’s drumbeats.” – Dusted
“It’s a great production all around: cerebral, emotional and spiritual in nature.” – a closer listen
“Ensemble is a whirling dervish of an album, never content to stay in one place, always shifting, always searching.” – Milwaukee Record
“Ensemble is the feather in the Death Blues hat, the fully formed masterpiece…” – Anti-Gravity Bunny